Turn On The Bright Lights: The Tenth Anniversary Edition (Remastered). INTERPOL If You Really Love Nothing. Julien Baker Turn Out the Lights Matador. Album: Turn On The Bright Light I wish I could eat the salt off of your lost faded lips We can cap the old times, make playing only logical harm We can cap the old lines, make playing that nothing.

Looking to download Turn On the Bright Lights album online? Released: Aug 19, 2002, Interpol launched Alternative album Turn On the Bright Lights. Album has 11 Songs, 48 Minutes available to download or listen Download here... Album songs list: Untitled 3:56 Obstacle 1 4:11 NYC 4:19 PDA 4:59 Say Hello to the Angels 4:28 Hands Away 3:05 Obstacle 2 3:47 Stella Was a Diver and She Was Always Down 6:27 Roland 3:35 The New 6:07 Leif Erikson 4:00 SOMETHING EDITORS’ NOTES So influential as to have become almost invisible in the intervening years, 2002’s Turn on the Bright Lights practically minted American stadium indie rock.

Interpol’s concrete-grey post-punk at first feels dominated by Paul Banks’ hectoring baritone, but shafts of light continually cut through. The stately “NYC” prefigures The National’s introspective triumphs, the hard-charging “PDA” is a seed for The Killers and Arcade Fire to water, and “Untitled” is the song that dozens of would-be U2s are still trying to write. Turn On the Bright Lights full album download Turn On the Bright Lights download album online Turn On the Bright Lights online album download Turn On the Bright Lights full album zip download Turn On the Bright Lights full album rar.

Well, its been a little while since I've written about anything, partly because I've been busy bits and also I couldn't really decide on what to write about. So, I thought I'd browse for something in my older archives, and came across this. And this is something I thought I couldn't really put into words without giving it a few spins once again. You'd agree with me too if you listen to this amazingly mesmerizing, haunting, beautiful.

'bottomless' record. Yeah, 'bottomless'. Its not the layered guitars, or the organic, thumping bass or the droning baritone spewing out cryptic passages or the steady drums behind that could be held accountable for this. Its all of them coming together to create something much more than just a simple song or an album. As if they've hidden their 'message', if they have one, under so many delicate layers full of twists, turns and drops that after a while you just give up trying to 'find' the message and are just happy to go along with what they take you through.

Martin and Roland Schinzinger – Tata McGraw-Hill – 2003. Subramaniam – Oxford Publications, New Delhi. • Ethics in Engineering by Mike W.

Alright, even after listening to this album so many times, I still can't put it into words! I might as well get on with the rest of this entry. Is a band from New York, and this is their first album, released in 2002 and Paul Banks (Guitars, Vocals), Carlos D (Bass), Daniel Kessler (Guitars), and Sam Fogarino (Drums) are responsible for this. They've released 3 albums after this, and though all of them are really good, each in its own right, this is my favorite of them all, just for the fact that this was the first Interpol album I had heard and took me totally off guard. In the simplest sense, Interpol write what seem to simple, somewhat catchy rock songs, with a hint of melancholic gloom covering everything. The guitars range from simplistic strum chords to tremolo picked fills.

Both the guitarists work on and with each other. 'Obstacle One' is a perfect example of this, showcasing the 'efficient' manner the guitars go about their job. The drums do the job of setting up the tempo and the intent of the songs, sometimes just holding back ('NYC', 'Stell was a diver and she was always down') and other times going strong in a straight forward way ('PDA', 'Obstacle One').

One peculiar thing about the drums is that there is very little variation in them in each song. Everything else seems to move around the drums which 'hold the fort' so as to speak. And the bass playing on the entire album is just fantastic. Its just so subtle and smooth, flowing and always moving around.

Carlos Dengler is one of my favorite bassists and theres a lot to be learnt from him.:-P The lyrics are just amazing. If you listen to them very carefully, you'll notice that they are mostly gibberish with some intelligible phrases thrown in. But when you take a step back and listen to them along with the music and the emotions Paul Banks puts in along with his vocal delivery, you start to realize that they just might make some sense, albeit in whatever manner you see fit. And his voice is also something that is captivating in a gloomy, morose sort of way. Well, thats the best I can do to describe this masterpiece of an album by a very awesome band.