My Chemical Romance Black Parade Zip

For its ambition, The Black Parade echoes that other rock record of Oct., 2006, the Killers' Sam's Town: brash guitars, brassy horns and Gerard Way's adenoidal yelp drive a concept album about a cancer victim's ghost (or something). Unlike their Vegas brethren, though, MCR don't.

The Black Parade is the third studio album by the rock quintet My Chemical Romance. Released in October 23, 2006 through Reprise Records, it was produced by Rob Cavallo, who has also produced albums for Green Day. The album is the first for which Bob Bryar plays drums, as Matt Pelissier played drums for Three Cheers for Sweet Revenge and I Brought You My Bullets, You Brought Me Your Love. It is a concept album centering on a character known as “The Patient”. The album presents the story of his passage out of life, and his subsequent reflection on his life.

Three Cheers For Sweet Revenge Is The Best My Chemical Romance Album Says Kerrang! Associate Editor Let’s be real, this debate could be ended pretty much immediately by simply posting.

You probably knew which gif that would be without even clicking, too, didn’t you? Like a digital mic drop, it would be a savage and swift lesson to my esteemed colleague Emily Carter, who no doubt makes some salient points in her case for The Black Parade. But unfortunately for her, she ultimately finds herself on the wrong side of history here. Three Cheers For Sweet Revenge is the best album. We’ll get to that. First, a disclaimer: The Black Parade is a towering achievement – a record that defined a generation, changed and saved lives, and transformed the New Jersey emo contenders into the emo scene kings the world still pines for the return of to this day.

If any of that sounds self-defeating stick with us for a second. This is merely highlighting a belief that both of these albums are damn near flawless in their own ways. It’s all about Three Cheers though. Three Cheers is just next level good. There’s a viciousness, a spite, bile, sass and style about it. With those 13 tracks and 40 minutes, that band captured lightning in a bottle; a moment in time where they sparkled and flashed brighter and bolder than anything and everybody else around.

Debut studio album I Brought You My Bullets hinted (a bit) at what they were capable of in 2002, but only in the sense that the caterpillar goes through a process of metamorphosis to become a butterfly. When Three Cheers emerged two years later, it was like its creators had been born anew.

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Imagine – just imagine – announcing the dawning of your new album, your new sound, new image, and new everything with the single and video of. It’s pretty much the song of the decade and absolutely the song of that era. And yet it still goes off on rock club dance-floors to this day.

It still sounds brand new despite all the years and spilt beers in between. “You like D&D, Audrey Hepburn, Fangoria, Harry Houdini and croquet. You can’t swim, you can’t dance, and you don’t know karate” As you’ve probably seen elsewhere on the internet – you read that in Ray Toro’s voice, didn’t you? And there’s a good reason for that. It’s an iconic clip and image amongst three and a half minutes filled with ‘em: the bullies, the uniforms, the swift kiss in the garage, the almost-kiss outside the lockers, the walk through the halls My Chemical Romance made being an outcast feel not so bad.

They said it was okay to be yourself, flaws and all, way before that became such a commoditised and co-opted cop-out for bands with nothing of note to actually say. Thank You For The Venom bared its teeth while Helena broke hearts and offered up a baton that The Black Parade would later run with. The Ghost Of You opened the floodgates marked ‘epic’ and redefined what this band were about.

The red ink splattered across the album’s artwork invited you into its otherworldly, pseudo horror fantasy world, yet always felt rooted in the sentiments and ultra-real extremes of this one. There’s an attitude in Gerard Way’s words and his vocal delivery, a zip about the guitar licks that feel grounded in punk as much as classic rock influences. It was the perfect storm of sounds in between, falling somewhere within a musical lineage that evoked some of the finest memories and moments of Misfits, Cramps, AFI, Alkaline Trio or Queen.