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This movie is bad propaganda for Scientology. This is already obvious after five minutes watching. First, evolution is called 'Theory of Randomness' and described as something sad by Nicolas Cage. Of course, there's no mention at all of all the proofs of evolution, even when Cage is supposed to be this serious MIT teacher. The little girl Lucinda is born in 1952, year of Scientology creation. The time capsule is sealed under a seven branch star, the symbol of Scientology. Then, the story is very closed of the one in the book 'Scientology, A History of Man' written by L.Ron Hubbard, Scientology founder.

The movie described a numerological prophecy of apocalypse, something frequent in Scientology's mythology. The more ridiculous is the final image of the Eden Garden with Adam and Eve running to the knowledge tree! When you're watching such a movie, remember that Quentin Hubbard, the son of Scientology founder, was probably murdered for having told the world that his father is a liar and and criminal. And - mainly - remember Darwin. This film started out with a real grabber. The whole time capsule thing was working as was the predictions and it had me riveted waiting to find out what was going to happen next. Then everything went left and the movie bounded over the shark as Cage begins a wild chase to tell everyone about the end of the world.

I absolutely believe this screenplay wasn't written with the ending that was in the movie. I figure around one third of the way through someone said, 'hey this is way too M. Night Shymalan, better beef up the special effects!' That's when the explosions started. Then another Hollywood big-wig said, 'hey, we need to add some extraterrestrials or this will never hit' and so enter the blond guys in the woods. These scenes look like they were re-shot after the fact.

Finally as Cage is on his knees waving to his son on the space ship, I expected the credits to roll, but no. I feel pretty sure a focus group was show the first cut and they said it was a downer, so.after a rewrite and lots of money on special effects. End of the world. Ten, after another focus group, comes the two kids in Eden ending that looked completely out of place and I feel pretty sure was tacked on after audience reactions ranged from'but what about the kids?' To 'that's a downer'. All in all, the whole thing went way off the rails and squandered any viewer interest in favor of bad theology and worse writing.

If anyone can confirm my theories of rewrites and re-shoots, please let me know. Otherwise, I have to believe the producers just got lost somewhere along the way to what promised to be a good film. I can't believe people are calling this the 'best SF movie of the year', unless there aren't any other SF movies this year. Ebert obviously needs to adjust his meds if he gave this four stars. Do they mean *anything*? How come the aliens can't find *some* way to communicate with people? How do they expect to leave their numeric clue hidden for 50 years and have just the right person run across them?

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Why does the son get all bent about being treated as a child. For 30 seconds? My God -- it's full of holes!

This abomination makes Swiss cheese look like battleship armor. Cs 1.6 fy_iceworld 2 map download. 'Thought-provoking' only in the sense that if you start thinking about it, you'll be astounded at how little sense in makes, and how much thinking you have to do to force any of it to work. I've been reading science fiction for 30 years.

SF is a friend of mine. And if this is the best SF movie of the year, I'm a monkey's uncle. And male offspring. And second cousin once removed. The good: Strong start to the movie, the plot hooks you in, excellent sound, confronting disaster scenes, haunting images, Rose Byrne, at times quite freaky, The Bad: Special effects looked like they were from a video game, ripped off basically every science fiction movie ever made, poor acting from Nic Cage, very predictable. The Ugly: Last third of movie was shamefully ridiculous. Summary: If you are a science fiction fan, you will probably not be able to resist seeing this movie.

Be warned, you will think you are seeing the sci-fi great that you have been waiting for but mid way the film gets lost. You may very well groan out loud at the ending. This had the makings of a great movie but unfortunately it couldn't come up with the goods. It may seem improbable, but Knowing actually adds something fresh and inspiring to the disaster genre. Certainly the action scenes are well staged – they are as grand and tense as the previews would have you expect. But Knowing really stands out from the likes of Next and various Roland Emmerich movies because of its heart (there is a profoundly human element amongst the chaos and destruction), and because of the surprising, riveting turns the story takes. In no way was it a generic 'save the world' flick, like I feared going in.